The names of late Korean artists Lee Jung-seob and Park Soo-keun have been dragged into a scandal after several of their paintings exhibited at the Los Angeles County Museum of Art (LACMA) were branded as fakes.
References: this article is based on content originally published by
George Nelson on ARTnew. You can read the full article here.
On Monday, LACMA’s director Michael Govan reportedly said that the museum will subsequently cancel the publication of the catalogue for the exhibition, titled “Korean Treasures from the Chester and Cameron Chang Collection.”
References: this article is based on content originally published by
George Nelson on ARTnew. You can read the full article here.
The show, which ran for four months, ended on Sunday. Suspicion about the authenticity of some of the artworks, including two paintings apiece by Lee and Park, was apparently rife from the onset. Ceramics from the Joseon Dynasty (1392–1910) were also exhibited.
References: this article is based on content originally published by
George Nelson on ARTnew. You can read the full article here.
Last week, LACMA held an official appraisal session at the museum, where four Korean art experts examined the suspected forgeries, South Korean national daily newspaper JoongAng reported Tuesday. They were Hong Sun-pyo, professor emeritus from Ewha University; Lee Dong-kook, director of the Gyeonggi Province Museum; Kim Sun-hee, former director of the Busan Museum of Art; and Tae Hyun-seon, curator at the Leeum Museum of Art.
References: this article is based on content originally published by
George Nelson on ARTnew. You can read the full article here.
The experts concluded that Lee’s A Bull and a Child and Crawling Children, and Park’s Waikiki and Three Women and Chile are counterfeits. The experts criticized LACMA’s due diligence process and also said the museum lacked an understanding of Korean art. “Korean Treasures from the Chester and Cameron Chang Collection” comprised 35 artworks and objects once owned by Korean collectors Dr. Chester Chang and his son Dr. Cameron Chang that were acquired by the museum in 2021.Questions about the artworks’ authenticity were first raised by JoongAng in February, which compelled the Galleries Association of Korea to contact LACMA.
References: this article is based on content originally published by
George Nelson on ARTnew. You can read the full article here.
LACMA did not immediately respond to a request for comment.
References: this article is based on content originally published by
George Nelson on ARTnew. You can read the full article here.
