At Metro’s Wilshire/Fairfax station, Ken Gonzales-Day presents a glass-mural installation drawn from LACMA’s collections, while his Erased Lynching series removes victims from historical images to examine the spectators, postcards, and systems that sustained the spectacle. His research spans 354 lynchings in California and engages with histories documented by the NAACP and others.

At the Hepworth Wakefield, Mrinalini Mukherjee: Unbound Forms—Women Sculptors of India and Bangladesh (May 23–Nov 1, 2026) presents works by Leela Mukherjee, Meera Mukherjee, Pilloo Pochkhanawala, Novera Ahmed, and Mrinalini Mukherjee, spanning mythic nagas, kinetic blooms, and charged figuration. Highlights include Novera Ahmed’s Snake (1973) and Un serpent nommé désir (1972), Mrinalini Mukherjee’s Adi Pushp II (1998–99), and references to the 1971 Bangladesh Liberation War.

At GRAY Chicago, Jaume Plensas Beyond Silence centers on two monumental wood-and-steel reliefs, Julia and Maria, each measuring 28 feet wide and seven feet tall, alongside elongated faces from the Clouds series in cast iron and granite stone. The exhibition marks Plensas tenth solo with GRAY and coincides with Remote, Serene, Ethereal at the gallerys New York location; both are on view through December 19.